Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Wagner in Context
David (University of Cambridge) Trippett
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The Routledge Handbook to Spanish Film Music
Laura (University of Oviedo, Spain) Miranda
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Composing for Silent Film
Jack Curtis Dubowsky
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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