The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Charles E. Brewer
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Constanze Mozart : After the Requiem
Heinz Gartner
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Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries Vol. I : History and Background, Music and Dance
Maurice Esses
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Giovanni Gabrieli (ca. 1555-1612) : A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of His Vocal Texts
Richard Charteris
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The Late Baroque Era: Vol 4. From The 1680s To 1740
George J Buelow
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Tears into Wine : J. S. Bach's Cantata 21 in its Musical and Theological Contexts
Eric (Victor and Gwendolyn Beinfield Professor of Music, Victor Chafe
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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A Sociable Moment : Opera and Festive Culture in Baroque Siena
Colleen (, Claire Trevor School of the Arts, University of Ca Reardon
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The Musical Discourse of Servitude : Authority, Autonomy, and the Work-Concept in Fux, Bach and Handel
Harry (Professor of Music, Professor of Music, University Colle White
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A Catalogue of French Harpsichord Music 1699-1780
Bruce (Associate Professor of Music, Associate Professor of Gustafson
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Music at Oxford in the Eighteenth and Nineteenth Centuries
Susan (, Reader and University lecturer on the Faculty of Wollenberg
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About Bach
Gregory G. Butler
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Bach Perspectives, Volume 9 : J.S. Bach and His Contemporaries in Germany
Andrew Talle
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Exploring the World of J. S. Bach : A Traveler's Guide
Robert L. Marshall
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O Let Us Howle Some Heavy Note : Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
Amanda Eubanks Winkler
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Tonal Space in the Music of Antonio Vivaldi
Bella Brover-Lubovsky
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Musical Cultures in Seventeenth-Century Russia
Claudia R. Jensen
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Music and the Language of Love : Seventeenth-Century French Airs
Catherine Gordon-Seifert
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The Symphonic Repertoire, Volume I : The Eighteenth-Century Symphony
Mary Sue Morrow
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Timpani Tone and the Interpretation of Baroque and Classical Music
Steven (Principal Timpanist, Principal Timpanist, Florence Schweizer
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Genealogies of Music and Memory : Gluck in the 19th-Century Parisian Imagination
Mark (Professor of Music, Professor of Music, University of S Everist
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Johann Sebastian Bach's St John Passion : Genesis, Transmission, and Meaning
Alfred (Director, Director, Bach Institute, Gottingen (retired)) Durr
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English Opera in Late Eighteenth-century London : Stephen Storace at Drury Lane
Jane (Assistant Professor, Saginaw Valley State University, M Girdham
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