Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Composing for Silent Film
Jack Curtis Dubowsky
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Exposing the Chasms in Voice Pedagogy : Playing the Field
Dale Cox
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Beyond Exoticism : Western Music and the World
Timothy D. Taylor
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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