Medieval Polyphony and Song
Helen (Royal Holloway, University of London) Deeming
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The Oxford Illustrated History of the Renaissance
Gordon (Fellow in Renaissance Studies, Fellow in Renaissance Campbell
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The Guitar and its Music : From the Renaissance to the Classical Era
James (, Professor of Music and Director of Early Music Perform Tyler
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Singing Early Music : The Pronunciation of European Languages in the Late Middle Ages and Renaissance
Timothy J. McGee
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Medieval English Lyrics and Carols
Thomas G. Duncan
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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The Renaissance Flute : A Contemporary Guide
Kate (Teacher of Historical Flutes and Lecturer, Teacher of His Clark
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Syntagma Musicum II : De Organographia: Parts I and II
Michael Praetorius
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Music in Elizabethan Court Politics
Katherine, BSc MBBCh Butler
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Renaissance Polyphony
Fabrice Fitch
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A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Alon (Senior Lecturer in the Department of Music, Senior Lectur Schab
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Musical Notation in the West
James (University of Western Ontario) Grier
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A Critical Companion to Medieval Motets
Jared C. (Customer) Hartt
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The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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The Cambridge Companion to Hildegard of Bingen
Jennifer (Dalhousie University, Nova Scotia) Bain
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The Cultural Life of the Early Polyphonic Mass : Medieval Context to Modern Revival
Andrew (Rutgers University, New Jersey) Kirkman
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, The Netherlands) Schuiling
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Die Lieder; Gottfried von Neifen
Gottfried Von Neifen
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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Song, Landscape, and Identity in Medieval Northern France : Toward an Environmental History
Jennifer (Presidential Professor and Associate Professor o Saltzstein
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The Oxford History of Western Music: Music from the Earliest Notations to the Sixteenth Century
Richard (Professor of musicology, Professor of musicology, U Taruskin
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