Said on Opera
Edward (c/o The Wylie Agency) Said
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Why Beethoven : A Phenomenon in 100 Pieces
Norman Lebrecht
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Gracchus : A Tragic Opera in Three Acts
David Hughes
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(How) Opera Works, (Hoe) opera werkt : Pierre Audi Lectures, Pierre Audi lezingen
Liesbeth Kruyt
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Wagnerism : Art and Politics in the Shadow of Music
Alex Ross
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Time to Say Hello : My Autobiography
Katherine Jenkins
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Wagner's Parsifal : The Music of Redemption
Roger Scruton
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A History of Opera : The Last Four Hundred Years
Carolyn Abbate
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Aspects of Wagner
Bryan Magee
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My World
Luciano Pavarotti
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The Penguin Concise Guide to Opera
Amanda Holden
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Sing Me Forgotten
Jessica S. Olson
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