Vaughan Williams and His World
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George Benjamin
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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Building Community Choirs in the Twenty-First Century : Re-imagining Identity through Singing in Northern Ireland
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The Pipe Organ : A Composer's Guide
James Mitchell
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Bach against Modernity
Michael (Daniel Underhill Professor Emeritus of Music, Danie Marissen
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From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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Margaret Bent
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Chris Dromey
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Violin Concerto ‘Concentric Paths’
Thomas Ades
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Bartok : His Life and Works
Malcolm (Deputy Vice-Chancellor, Deputy Vice-Chancellor, Aust Gillies
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Contemporary Musical Virtuosities
Louise Devenish
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Harmony at the Piano : Using Keyboard Harmony to Learn Advanced Piano Music
Ken Johansen
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The Great Lieder Cycles In English Singing Translations
Jeffrey Benton
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Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Add to BasketMusic, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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