The Organ Music of J. S. Bach
Peter Williams
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The Keyboard Music of J.S. Bach
David Schulenberg
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Bach & God
Michael (Professor of Music, Emeritus, Professor of Music, E Marissen
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Reception of Bach's Organ Works from Mendelssohn to Brahms
Russell (Professor and College Organist, Professor and Colleg Stinson
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Bach Studies : Liturgy, Hymnology, and Theology
Robin A. Leaver
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The Viola d’Amore : Its History and Development
Rachael (Edinburgh Napier University, UK) Durkin
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Theories of Fugue from the Age of Josquin to the Age of Bach
Paul Mark (Royalty Account) Walker
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