Shakespeare's Songbook
Ross W. Duffin
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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Music and Instruments of the Elizabethan Age : The Eglantine Table
Michael (Royalty Account) Fleming
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, The Netherlands) Schuiling
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Medieval Polyphony and Song
Helen (Royal Holloway, University of London) Deeming
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The Sound of Byzantium – The Byzantine Musical Instruments
Antonios Botonakis
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Anthology of Medieval Music
Richard H. Hoppin
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The Performance of 16th-Century Music : Learning from the Theorists
Anne (Recorder and Renaissance Flute Instructor, Recorder and R Smith
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Composers at Work : The Craft of Musical Composition 1450-1600
Jessie Ann (Associate Professor of Music, Associate Professor o Owens
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Music in the Medieval West
Margot (University of Notre Dame) Fassler
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Anthology for Music in the Medieval West
Margot (University of Notre Dame) Fassler
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The Renaissance Reform of Medieval Music Theory : Guido of Arezzo between Myth and History
Stefano (Dr, University of Michigan, Ann Arbor) Mengozzi
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Anthology for Music in the Renaissance
Richard (Haverford College) Freedman
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Music and Society in Early Modern England
Christopher (Queen's University Belfast) Marsh
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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Music in Welsh Culture Before 1650 : A Study of the Principal Sources
Sally Harper
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Poets and Singers : On Latin and Vernacular Monophonic Song
Elizabeth Aubrey
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A Performer's Guide to Renaissance Music, Second Edition
Jeffery Kite-Powell
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Music Education in the Middle Ages and the Renaissance
Susan Forscher Weiss
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The Critical Nexus : Tone-System, Mode, and Notation in Early Medieval Music
Charles M. (University Distinguished Professor of Musicology Atkinson
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Late Medieval Liturgies Enacted : The Experience of Worship in Cathedral and Parish Church
Sally Harper
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