Richard Wagner : A Research and Information Guide
Michael (Virginia Tech University, USA) Saffle
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Women Opera Composers : Biographies from the 1500s to the 21st Century
Mary F. McVicker
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Puccini's Turandot : The End of the Great Tradition
William Ashbrook
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Opera in Seventeenth-Century Venice : The Creation of a Genre
Ellen Rosand
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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The Metropolitan Opera : Stories of the Great Operas
John W. Freeman
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Bayreuth : A History of the Wagner Festival
Frederic Spotts
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L`italiano con l`opera : Lingua, cultura e conversazione
Daniela Noe
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Five Operas and a Symphony : Word and Music in Russian Culture
Boris Gasparov
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Charles Munch
D. Kern (Distinguished Professor of Music, Distinguished Prof Holoman
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Disordered Heroes in Opera : A Psychiatric Report
John Cordingly
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What Opera Means : Categories and Case-studies
Christopher Wintle
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The Shuberts and Their Passing Shows : The Untold Tale of Ziegfeld's Rivals
Jonas (Freelance Writer, Freelance Writer) Westover
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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Wagner's Parsifal
William (Professor of Musicology, Professor of Musicology, Kinderman
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Reconfiguring Myth and Narrative in Contemporary Opera : Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun
Yayoi Uno Everett
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Three Loves for Three Oranges : Gozzi, Meyerhold, Prokofiev
Dassia N. Posner
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Mamontov's Private Opera : The Search for Modernism in Russian Theater
Olga Haldey
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The Italian Traditions and Puccini : Compositional Theory and Practice in Nineteenth-Century Opera
Nicholas Baragwanath
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