Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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A French Song Companion
Graham (, internationally famous accompanist) Johnson
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Add to BasketThe Guitar and its Music : From the Renaissance to the Classical Era
James (, Professor of Music and Director of Early Music Perform Tyler
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The Keyboard Music of J.S. Bach
David Schulenberg
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Add to BasketPurcell
Peter (Senior Associate Lecturer, Senior Associate Lecturer, C Holman
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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Add to BasketOrpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Add to BasketThe Dynamics of Harmony : Principles and Practice
George (Emeritus Professor of Music, Emeritus Professor of Musi Pratt
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Continuo Playing According to Handel : His Figured Bass Exercises. With a Commentary
David (Lecturer in Keyboard Studies, Lecturer in Keyboard S Ledbetter
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Add to BasketClassical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. (Associate Professor of Music, Associate Professor Caplin
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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The Baroque Clarinet
Albert R. (Curator, Curator, the Fiske Museum of Musical Instrum Rice
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Interpreting Bach at the Keyboard
Paul Badura-Skoda
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An Analytical Survey of the Fifteen Two-Part Inventions by J.S. Bach
Theodore O. Johnson
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John (Professor and Chair of Music History, Professor and Cha Spitzer
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Four and Twenty Fiddlers : The Violin at the English Court 1540-1690
Peter (Director of early music group ^IThe Parley of Instrumen Holman
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Handel as Orpheus : Voice and Desire in the Chamber Cantatas
Ellen T. Harris
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Add to BasketThe Cambridge History of Eighteenth-Century Music
Simon P. (University of Sheffield) Keefe
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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