The The Older Liszt : Music, World and Spirit
Peter Coleman
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Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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Liszt Recomposed : Exploring Intertextual Fluidity in Song
Nicolas Puyane
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Audacious Euphony : Chromatic Harmony and the Triad's Second Nature
Richard Cohn
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A Sonata Theory Handbook
James (Henry L. and Lucy G. Moses Professor Emeritus of Mus Hepokoski
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Clara Schumann : The Artist and the Woman
Nancy Reich
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Parsifal : In Full Score
Richard Wagner
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Robert Schumann: Herald of a 'New Poetic Age'
The late John (Associate Professor of Music and Chairman of t Daverio
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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
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