Motives for Allusion : Context and Content in Nineteenth-Century Music
Christopher Alan Reynolds
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Schumann and His World
R. Larry Todd
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Palestrina and the German Romantic Imagination : Interpreting Historicism in Nineteenth-Century Music
James (National University of Ireland, Maynooth) Garratt
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Virtuosity and the Musical Work : The Transcendental Studies of Liszt
Jim (Royal Holloway, University of London) Samson
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Russians on Russian Music, 1880-1917 : An Anthology
Stuart (University of Glasgow) Campbell
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Brahms : Biographical, Documentary and Analytical Studies
Robert Pascall
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Landscape and Gender in Italian Opera : The Alpine Virgin from Bellini to Puccini
Emanuele (University of Oxford) Senici
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Schumann's Late Style
Laura (University of Manchester) Tunbridge
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Brahms's Song Collections
Inge (Victoria University of Wellington) van Rij
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The Great Transformation of Musical Taste : Concert Programming from Haydn to Brahms
William (California State University, Long Beach) Weber
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British Hymn Books for Children, 1800-1900 : Re-Tuning the History of Childhood
Alisa Clapp-Itnyre
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Morality and Viennese Opera in the Age of Mozart and Beethoven
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The Arts and Culture of the American Civil War
James Davis
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Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
Kirsten Gibson
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Figures of the Imagination : Fiction and Song in Britain, 1790–1850
Roger Hansford
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Sources and Style in Moore’s Irish Melodies
Una Hunt
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Arthur Sullivan : A Musical Reappraisal
Benedict Taylor
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
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The Origins and Ascendancy of the Concert Mass
Stephanie Rocke
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The Politics of Musical Identity : Selected Essays
Annegret Fauser
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Muzio Clementi and British Musical Culture : Sources, Performance Practice and Style
Luca Sala
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Sound, Sin, and Conversion in Victorian England
Julia Grella O'Connell
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The Music Profession in Britain, 1780-1920 : New Perspectives on Status and Identity
Rosemary Golding
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