Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Orchestral Performance : A Guide for Conductors and Players
Christopher Adey
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The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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Dvorak: Cello Concerto
Jan (Queen's University Belfast) Smaczny
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Beyond Talent : Creating a Successful Career in Music
Angela Myles Beeching
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China and the World since 1945 : An International History
Peter Schat
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The Concerto : A Listener's Guide
Michael Steinberg
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Ralph Vaughan Williams and Adrian Boult
Nigel Simeone
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Concerto for Orchestra
Bela Bartok
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Rite of Spring : Sacre Du Printemps
Igor Stravinsky
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Bartok: Concerto for Orchestra
David (University of Leeds) Cooper
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The Cambridge Companion to the Orchestra
Colin (London College of Music, Thames Valley University) Lawson
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Bruckner: Symphony No. 8
Benjamin M. (University of St Thomas, Minnesota) Korstvedt
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Mahler: Das Lied von der Erde (The Song of the Earth)
Stephen E. (Case Western Reserve University, Ohio) Hefling
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Tchaikovsky: Symphony No. 6 (Pathetique)
Timothy L. (University of North Texas) Jackson
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Concerto for Viola and Orchestra (1962)
William Walton
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