Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Body Impossible : Desmond Richardson and the Politics of Virtuosity
Ariel (Faculty, Faculty, California Institute of the Arts) Osterweis
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A Filmmaker’s Guide to Sound Design : Bridging the Gap Between Filmmakers and Technicians to Realize the Storytelling Power of Sound
Matthew (SoundSpace Studio, USA) Polis
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Nicaea and its Legacy : An Approach to Fourth-Century Trinitarian Theology
Lewis (Assistant Professor of Historical Theology, Candler Scho Ayres
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Writing the Short Film
Patricia (Tisch School of the Arts, New York University, New Y Cooper
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Ghost in the Well : The Hidden History of Horror Films in Japan
Dr Michael (Leiden University, the Netherlands) Crandol
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European Cinema and Continental Philosophy : Film As Thought Experiment
Thomas (University of Amsterdam, the Netherlands) Elsaesser
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Vivaldi
Michael (Member of the British Academy; Alsop Professor of Mus Talbot
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A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Alon (Senior Lecturer in the Department of Music, Senior Lectur Schab
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Renegades : Digital Dance Cultures from Dubsmash to TikTok
Trevor (Lecturer in the Women's Gender & Sexuality Studies Pr Boffone
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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Making Hip Hop Theatre : Beatbox and Elements
Dr Katie (University of the Arts London, UK) Beswick
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Dance Education : A Redefinition
Dr Susan R. (Clinical Associate Professor and Director of the Da Koff
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Verdi
Julian (Chief Producer for Opera at BBC Radio and President of Budden
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Audio Metering : Measurements, Standards and Practice
Eddy (audio consultant and lecturer based in Denmark; member o Brixen
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Listening After Nature : Field Recording, Ecology, Critical Practice
Dr. Mark Peter (Associate Lecturer, University of the Arts, Lo Wright
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Improvision : Orphic Art in the Age of Jazz
Professor Simon (Chair of the History of Art, University Shaw-Miller
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Archival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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Songs of Discovery for Music Therapy : A Practical Resource for Therapists and Educators
The Center for Discovery®
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The GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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Acoustic Profiles : An Acoustic Ecology of the Cinema
Randolph (Lecturer in the Humanities, Lecturer in the Humaniti Jordan
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Pablo Trapero and the Politics of Violence
Douglas (University of the Western Cape, Cape Town, South Af Mulliken
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Instrument of the State : A Century of Music in Louisiana's Angola Prison
Benjamin J. (Associate Professor of Music and Chair of the Pe Harbert
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