Millard Meiss, American Art History, and Conservation : From Connoisseurship to Iconology and Kulturgeschichte
Jennifer (University of Turin) Cooke
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The Routledge Companion to William Morris
Florence S. (University of Iowa) Boos
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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art
Jessica Sjoholm Skrubbe
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Rediscovering Objects from Islamic Lands in Enlightenment Europe
Isabelle Dolezalek
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The Procaccini and the Business of Painting in Early Modern Milan
Angelo Lo Conte
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Charting the Afrofuturist Imaginary in African American Art : The Black Female Fantastic
Elizabeth Carmel Hamilton
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Late Antique Portraits and Early Christian Icons : The Power of the Painted Gaze
Andrew Paterson
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Counterfactualism in the Fine Arts
Elke (Nanyang Technological University, Singapore) Reinhuber
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Painting, Science, and the Perception of Coloured Shadows : ‘The Most Beautiful Blue’
Paul Smith
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The Influence of Italian Culture on the Sevillian Golden Age of Painting
Rafael Japon
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Private Collectors of Islamic Art in Late Nineteenth-Century London : The Persian Ideal
Isabelle Gadoin
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Technified Muses : Reconfiguring National Bodies in the Mexican Avant-Garde
Sara A. Potter
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Corporeal Readings of Cuban Literature and Art : The Body, the Inhuman, and Ecological Thinking
Christina M. Garcia
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Tradition and Transformation : A Comprehensive Exploration of Three Millenia of Jewish Art and Architecture
Ori Z Soltes
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Living with Sculpture : Presence and Power in Europe, 1400-1750
Elizabeth Rice Mattison
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Reading the Architecture of the Underprivileged Classes
Nnamdi Elleh
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Liberalism, Nationalism and Design Reform in the Habsburg Empire : Museums of Design, Industry and the Applied Arts
Matthew Rampley
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The First Viral Images : Maerten de Vos, Antwerp Print, and the Early Modern Globe
Stephanie (Assistant Professor, Tulane University) Porras
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The Declaration in Script and Print : A Visual History of America’s Founding Document
John (Curatorial Chair, The Morgan Library) Bidwell
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Capture Japan : Visual Culture and the Global Imagination from 1952 to the Present
Marco (Associate Professor in Visual Communication at Nottingham Bohr
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