Liturgical Music for the Revised Common Lectionary, Year C
Thomas Pavlechko
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Format Friction : Perspectives on the Shellac Disc
Gavin Williams
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Art of the Cut : Conversations with Film and TV Editors, Volume II
Steve Hullfish
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Speaking Words of Wisdom : The Beatles and Religion
Michael (Florida Southwestern State College) McGowan
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Cold Glitter : The Untold Story of Canadian Glam
Robert Dayton
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Reframing Berlin : Architecture, Memory-Making and Film Locations
Christopher S. Wilson
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Action Cinema Since 2000
Professor Emerita Chris (University of Tennessee, USA) Holmlund
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Acoustics of Empire : Sound, Media, and Power in the Long Nineteenth Century
Peter (Associate Professor of Music, Associate Professor of McMurray
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Storytelling in Motion : Cinematic Choreography and the Film Musical
Jenny (Assistant Professor, Assistant Professor, Univ Oyallon-Koloski
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Spectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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One Shot Hitchcock : A Contemporary Approach to the Screen
Luke (Casual Academic, Casual Academic, University of New So Robinson
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Raising the Dead : The Work of George A. Romero
Adam Charles (Independent scholar, Independent scholar) Hart
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Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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Experimental Film and Queer Materiality
Juan A. (Professor of American Studies, Professor of American Suarez
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The Pastoral in Charles Griffes's Music : Aesthetic of Ambivalence
Taylor A. (Pennsylvania State University) Greer
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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