Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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The Performance Studies Reader
Henry (University of Kansas, USA) Bial
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Cinematic Representations of Women in Modern Celebrity Culture, 1900–1950
Maria Cristina C. Mabrey
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Korean Film and Festivals : Global Transcultural Flows
Hyunseon (SOAS University of London, UK) Lee
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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The Routledge Companion to European Cinema
Gabor Gergely
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Children, Youth, and International Television
Debbie (Missouri Valley College, USA) Olson
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Reform and Regulation of Economic Institutions in Afghanistan : Formal and Informal Credit Systems
Haroun Rahimi
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Remaking Culture and Music Spaces : Affects, Infrastructures, Futures
Ian (Syddansk Universitet, Denmark) Woodward
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Dance, Ageing and Collaborative Arts-Based Research
Rachel Herron
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Decentralized Music : Exploring Blockchain for Artistic Research
Paulo De Assis
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Create Stunning Renders Using Corona in 3ds Max : Guiding the Next Generation of 3D Renderers
Margarita Nikita
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New Mansions For Music : Performance, Pedagogy and Criticism
Lakshmi Subramanian
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Transnational Screens : Expanding the Borders of Transnational Cinema
Armida De La Garza
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The Enjoyment of Music
Kristine (California State University, Long Beach) Forney
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Inhabiting the Impossible : Dance and Experimentation in Puerto Rico
Susan Homar
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Architecture and Choreography : Collaborations in Dance, Space and Time
Beth Weinstein
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The Routledge Companion to Copyright and Creativity in the 21st Century
Michelle Bogre
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Contemporary Lusophone African Film : Transnational Communities and Alternative Modernities
Paulo de Medeiros
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One-Track Mind : Capitalism, Technology, and the Art of the Pop Song
Asif Siddiqi
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Dance Data, Cognition, and Multimodal Communication
Carla Fernandes
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The Symphony in Australia, 1960-2020
Rhoderick McNeill
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