Art, Patronage, and Nepotism in Early Modern Rome
Karen J. Lloyd
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The Procaccini and the Business of Painting in Early Modern Milan
Angelo Lo Conte
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The Influence of Italian Culture on the Sevillian Golden Age of Painting
Rafael Japon
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Mannerism, Spirituality and Cognition : The Art Of Enargeia
Lynette M. F. Bosch
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Imaging Stuart Family Politics : Dynastic Crisis and Continuity
Catriona Murray
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The Spiritual Rococo : Decor and Divinity from the Salons of Paris to the Missions of Patagonia
Gauvin Alexander Bailey
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Artistic Circulation between Early Modern Spain and Italy
Kelley (University of Vermont) Helmstutler Di Dio
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Women’s Patronage and Gendered Cultural Networks in Early Modern Europe : Vittoria della Rovere, Grand Duchess of Tuscany
Adelina Modesti
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Performativity and Performance in Baroque Rome
Peter Gillgren
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Inganno - The Art of Deception : Imitation, Reception, and Deceit in Early Modern Art
Sharon Gregory
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The Religious Paintings of Hendrick ter Brugghen : Reinventing Christian Painting after the Reformation in Utrecht
Natasha T. Seaman
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Sense and the Senses in Early Modern Art and Cultural Practice
Alice E. Sanger
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The Figurative Works of Chen Hongshou (1599–1652) : Authentic Voices/Expanding Markets
Tamara Heimarck Bentley
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Pieter Bruegel and the Culture of the Early Modern Dinner Party
Claudia Goldstein
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Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni
Pamela M. Jones
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Leone Leoni and the Status of the Artist at the End of the Renaissance
Kelley Helmstutler Di Dio
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Reframing Albrecht Durer : The Appropriation of Art, 1528–1700
Andrea Bubenik
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Caravaggio : Reflections and Refractions
Lorenzo Pericolo
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The Cult of St Clare of Assisi in Early Modern Italy
Nirit Ben-Aryeh Debby
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Seventeenth-Century Flemish Garland Paintings : Still Life, Vision, and the Devotional Image
Susan Merriam
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Beholding Violence in Medieval and Early Modern Europe
Allie Terry-Fritsch
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Siting Federico Barocci and the Renaissance Aesthetic
Peter Gillgren
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The Viewer and the Printed Image in Late Medieval Europe
David S. Areford
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