Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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Reading Shakespeare in Jewish Theological Frameworks : Shylock Beyond the Holocaust
Caroline Wiesenthal Lion
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Harold Pinter's Shakespeare : Shakespeare's Influence on the Work of Harold Pinter
Charles Morton
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Seeing Shakespeare’s Style
USA) Douglas Bruster (University of Texas at Austin
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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Violent Liminalities in Early Modern Culture : Inhabiting Contested Thresholds
Kaye McLelland
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The Developer : Phase III (Avenue into the Abyss)
Stephen P Bye
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The RSC Shakespeare: The Complete Works
William Shakespeare
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English Renaissance Drama : A Norton Anthology
David (University of Chicago) Bevington
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William Shakespeare and Others : Collaborative Plays
Prof. Eric (USA) Rasmussen
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The Norton Shakespeare
Stephen (Harvard University) Greenblatt
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Shakespeare, The Movie : Popularizing the Plays on Film, TV and Video
Lynda E. Boose
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From Performance to Print in Shakespeare's England
P. Holland
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Thirteen Plays by Anton Chekhov, includes On The High Road, The Anniversary, On the Harmful Effects of Tobacco, Swansong, Ivanov, The Bear, A Tragedian in Spite of Himself, The Wedding, A Marriage Pro
Anton Chekhov
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"As You Like it"
William Shakespeare
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Re-Place : Irish Theatre Environments
Lisa Fitzgerald
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Selected Plays of Stan Lai : Volume 1: Secret Love in Peach Blossom Land and Other Plays
Stan Lai
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Paratext Printed with New English Plays, 1660–1700
Robert D. (Pennsylvania State University) Hume
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Playwriting, Dramaturgy and Space
Sara (University of Puget Sound, Washington) Freeman
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Shakespeare and the Grace of Words : Language, Theology, Metaphysics
Valentin Gerlier
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Reading Robert Greene : Recovering Shakespeare’s Rival
Darren Freebury-Jones
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Shakespearean Spaces in Australian Literary Adaptations for Children and Young Adults
Michael Marokakis
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