Write Cut Rewrite : The Cutting Room Floor of Modern Literature
Dirk Van Hulle
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The Art of the Literary Poster
Allison Rudnick
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The Crimean War and Cultural Memory : The War France Won and Forgot
Sima Godfrey
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Southern Strategies : Narrative Negotiation in an Evangelical Region
Michael Odom
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Welcome to the 805 : Michele Serros's Oxnard Writings
Cristina Herrera
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Bad Godots : ‘Vladimir Emerges from the Barrel' and Other Interventions
S. E. (Florida State University) Gontarski
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The Domino and the Eighteenth-Century London Masquerade : A Social Biography of a Costume
Meghan (Newcastle University) Kobza
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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The Art of the Actress : Fashioning Identities
Laura (Duquesne University, Pittsburgh) Engel
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The Last Man and Gothic Sympathy
Michael (Dalhousie University) Cameron
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C.S. Lewis and the Problem of God
David (University of Wisconsin, Madison) Werther
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Theatricality, Playtexts and Society
David (University of York) Barnett
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Indigenous Knowledge and Material Histories : The Example of Rubber
Jens (Augsburg University) Soentgen
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Radical Tenderness : Poetry in Times of Catastrophe
Andrea (Queen Mary University of London) Brady
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Origins of the Individualist Self : Autobiography and Self-Identity in England, 1591-1791
Michael Mascuch
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Hemingway's Art of Revision : The Making of the Short Fiction
John Beall
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Professing Darkness : Cormac McCarthy's Catholic Critique of American Enlightenment
D. Marcel DeCoste
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America's Imagined Revolution : The Historical Novel of Reconstruction
Tomos Wallbank-Hughes
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Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology
David Bullen
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Law, Literature, and Violence Against Women : Ending the Victim Blame Game
Erin L. Kelley
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