Skepsis als kritische Methode : Shaftesburys Konzept einer dialogischen Skepsis
Raming Rolf Raming
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Charles Blount (1654-1693), Fruehaufklaerer: : Leben und Werk
Walber Karl-Josef Walber
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«Full of Improbable Lies»: Gulliver's Travels und die Reiseliteratur vor 1726
Universitat Munster
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«Luxus» : Eine begriffs- und ideengeschichtliche Untersuchung unter besonderer Beruecksichtigung von Bernard Mandeville
Grugel-Pannier Dorit Grugel-Pannier
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«How art produces art» : Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Uebersetzungen
Krake Astrid Krake
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Shakespeare-Inszenierungen in England- Die «Royal Shakespeare Company» (1960-1982) : Die Royal Shakespeare Company (1960-1982)
Lahrmann Hartwig Lahrmann
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Melancholie und Melancholiekritik im England des 18. Jahrhunderts
Mohr Ute Mohr
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Deutsche Gelehrten-Reisen nach England 1660-1714
Selling Andreas Selling
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«Satyr the true Medicine» : Die Komoedien Thomas Shadwells
Dopheide Theodor Dopheide
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Skepsis und Vernunft : Grundlagen der Kunsttheorie von William Hazlitt
Rabeler Alice Rabeler
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«There is no Room for Choice»: die Tragoedien Nicholas Rowes
Stender Ralf Stender
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«Behold, He Comes with Clouds» : Untersuchungen zur eschatologischen Dichtung in der englischen Literaturgeschichte des 17. und 18. Jahrhunderts
Pago Annegret Pago
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«Every Prediction is a Twin» : Saekulare Prophetien im England des 17. Jahrhunderts
Muhle-Moldon Ursula Muhle-Moldon
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Shakespeares Text in Deutschland : Textkritik und Kanonfrage von den Anfaengen bis zur Mitte des neunzehnten Jahrhunderts
Hiltscher Michael Hiltscher
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