Professing Darkness : Cormac McCarthy's Catholic Critique of American Enlightenment
D. Marcel DeCoste
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Transpatial Modernity : Chinese Cultural Encounters with Russia via Japan (1880–1930)
Xiaolu Ma
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Writing the Past in Twenty-First-Century American Fiction
Alexandra Lawrie
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The Reader's Joyce : Ulysses, Authorship and the Authority of the Reader
Sophie Corser
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Virginia Woolf and Nineteenth-Century Women Writers : Victorian Legacies and Literary Afterlives
Anne Reus
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Literary Neo-Orientalism and the Arab Uprisings : Tensions in English, French and German Language Fiction
Julia Wurr
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The California Gothic in Fiction and Film
Bernice M Murphy
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Nora Ephron : A Biography
Kristin Marguerite Doidge
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Southern Strategies : Narrative Negotiation in an Evangelical Region
Michael Odom
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Understanding Barbara Kingsolver
Ian Tan
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Autistic-Coded Representation and Autism Stereotypes : Looking for the Spectrum
Martin Brick
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The Book Forger : The true story of a literary crime that fooled the world
Joseph Hone
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Critical Theory and Dystopia
Patricia (Senior Lecturer in Media and Cultural History) McManus
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After the End : Cold War Culture and Apocalyptic Imaginations in the Twenty-First Century
David L. Pike
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Scripting Empire : Broadcasting, the BBC, and the Black Atlantic
James (Professor of Modern and Contemporary Literature, Newca Procter
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Odd Affinities : Virginia Woolf’s Shadow Genealogies
Professor Elizabeth Abel
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Odd Affinities : Virginia Woolf's Shadow Genealogies
Professor Elizabeth Abel
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A Bookshop of One's Own : How a group of women set out to change the world
Jane Cholmeley
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Studying Crime in Fiction : An Introduction
Eric Sandberg
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The Persistence of Realism in Modernist Fiction
Paul (University of Albany) Stasi
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The Great Gatsby: The 1926 Broadway Script
James L. W. (Pennsylvania State University) West III
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