Shakespeare's Resources
John Drakakis
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Playing the King: Lope de Vega and the Limits of Conformity
Melveena McKendrick
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Communal Justice in Shakespeare's England : Drama, Law, and Emotion
Penelope Geng
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Modernist Disguise : Masquerade in Modern Performance and Visual Culture
Ron J. Popenhagen
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A Midsummer Night’s Dream: Language and Writing
R.S. White
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A Taste for the Negative : Beckett and Nihilism
Shane Weller
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The Genres of Renaissance Tragedy
Daniel Cadman
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Shakespeare's Imaginary Constitution : Late Elizabethan Politics and the Theatre of Law
Paul (University of Warwick, UK) Raffield
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Under the Greenwood Tree : A Celebration of Kentucky Shakespeare
Tracy E. K'Meyer
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Staging "The Mysterious Mother"
Cynthia E. Roman
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The Rhesus Attributed to Euripides
Marco (Roehampton University, London) Fantuzzi
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Shakespeare's Adolescents : Age, Gender and the Body in Shakespearean Performance and Early Modern Culture
Victoria Sparey
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Aristophanes: Cavalry
Professor Robert (Associate Professor, York University, Canad Tordoff
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Shakespeare on Screen: Romeo and Juliet
Victoria (University of Queensland) Bladen
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Blindness and Spectatorship in Ancient and Modern Theatres : Towards New Ways of Looking and Looking Back
Marchella (The Open University, Milton Keynes) Ward
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The Merchant of Venice
Boika Sokolova
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Sound Effects : Hearing the Early Modern Stage
Laura Jayne Wright
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Poison on the Early Modern English Stage : Plants, Paints and Potions
Lisa Hopkins
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The Alchemist
Tanya (Brooklyn College, The City University of New York, USA Pollard
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Generic Innovation in Shakespeare and His Contemporaries
Edward Gieskes
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The Brecht Yearbook / Das Brecht-Jahrbuch 48
Professor Markus (Customer) Wessendorf
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Memory and Affect in Shakespeare's England
Jonathan (University of Rochester, New York) Baldo
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Arden of Faversham: A Critical Reader
Dr Peter Kirwan
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Allegorising Thought on the Shakespearean Stage : The Discovery of the Mind
Claire Gu ron
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