Theory for Theatre Studies: Light
Professor Dean (The University of North Carolina School of the Wilcox
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The Tony Awards : A Celebration of Excellence in Theatre
Eila Mell
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Theatre in Practice : A Student's Handbook
Nick (The Stanislavski Experience, UK) O'Brien
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Milestones in African Literature
Toyin (The University of Texas at Austin, USA) Falola
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Radical Virtuosity : Ana Mendieta and the Black Atlantic
Genevieve (Assisstant Professor, California College of the Hyacinthe
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Blindness and Spectatorship in Ancient and Modern Theatres : Towards New Ways of Looking and Looking Back
Marchella (The Open University, Milton Keynes) Ward
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Bergson and Durational Performance : (Re)Ma(r)king Time
James (University of the West of Scotland) Layton
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Fixing the Musical : How Technologies Shaped the Broadway Repertory
Douglas L. (Lewis and Dorothy Cullman Curator, Lewis and Dorot Reside
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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The Routledge Companion to Interdisciplinary Studies in Singing, Volume I: Development
Frank A. Russo
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The Routledge Companion to Interdisciplinary Studies in Singing, Volume II: Education
Helga R. Gudmundsdottir
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The Routledge Companion to Interdisciplinary Studies in Singing, Volume III: Wellbeing
Rachel Heydon
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So You Want to Sing Musical Theatre : A Guide for Performers
Amanda Flynn
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The Theatres of War : Performance, Politics, and Society 1793-1815
Gillian (Lecturer in the Department of English, Lecturer in t Russell
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Extracts From the Accounts of the Revels at Court : In the Reigns of Queen Elizabeth and King James
Great Britain Office of the Revels
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Anne Frank on the Postwar Dutch Stage : Performance, Memory, Affect
Remco (Radboud University, The Netherlands) Ensel
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Australian Metatheatre on Page and Stage : An Exploration of Metatheatrical Techniques
Rebecca (The Australian National University) Clode
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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Diversifying Greek Tragedy on the Contemporary US Stage
Melinda (Associate Professor in the Department of English, Ass Powers
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