The Female Nude : Art, Obscenity and Sexuality
Lynda (Birkbeck, University of London, UK) Nead
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Add to BasketReportage Drawing : Vision and Experience
Louis (University of Portsmouth, UK) Netter
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Add to BasketImages of Childhood : A Visual History From Stone to Screen
Professor Emeritus Paul (University of Illinois, USA, and Univ Duncum
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Add to BasketJournalism from Print to Platform : The Impossible Shift from Analog to Digital
Robert (University of Melbourne, Australia) Hassan
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Journalism from Print to Platform : The Impossible Shift from Analog to Digital
Robert (University of Melbourne, Australia) Hassan
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Journalism from Print to Platform : The Impossible Shift from Analog to Digital
Robert (University of Melbourne, Australia) Hassan
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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Add to BasketMask Making Techniques : Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
Mary C. (Professor of Costume Design, West Virginia Universit McClung
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Add to BasketArt in Renaissance Italy 1350-1500
Evelyn (Lecturer, Lecturer, Warburg Institute, University of Lo Welch
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Add to BasketArt Theory: A Very Short Introduction
Cynthia (, University of Houston, Texas) Freeland
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Art in Theory 1815-1900 : An Anthology of Changing Ideas
Charles (Open University) Harrison
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Add to BasketBut Is It Art? : An Introduction to Art Theory
Cynthia (, University of Houston, Texas) Freeland
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Add to BasketDream Worlds: Production Design for Animation
Hans (Production designer in the animation film industry; Prof Bacher
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Commedia Dell'Arte: An Actor's Handbook
John (University of Exeter, UK) Rudlin
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Add to BasketRomanticism: A Very Short Introduction
Michael (Professor of English and Humanities, University of Ne Ferber
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Film: A Very Short Introduction
Michael (Charles Barnwell Start Professor of English and Profess Wood
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Modern Art: A Very Short Introduction
David (Professor of History of Art at Falmouth College of Cottington
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Understanding Art
Lois (College of New Jersey) Fichner-Rathus
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Why We Make Art : And Why it is Taught
Richard (University of Cambridge, UK) Hickman
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Add to BasketUses of Heritage
Laurajane (The University of York, UK) Smith
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Add to BasketThe Politics of Aesthetics
Jacques (University of Paris VIII, France) Ranciere
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Add to BasketReasons to be Hopeful : what remains consoling, inspiring and beautiful
The School of Life
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Contemporary Art: A Very Short Introduction
Julian (Professor of Art History, The Courtauld Institute Stallabrass
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The Gothic
David (University of Bristol) Punter
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