An Ocean of Wonder : The Fantastic in the Pacific
Mahealani Ahia
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The Dynamics of Learning in Early Modern Italy : Arts and Medicine at the University of Bologna
David A. Lines
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The Black Art Renaissance : African Sculpture and Modernism across Continents
Joshua I. Cohen
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Millennial Style : The Politics of Experiment in Contemporary African Diasporic Culture
Aliyyah I. Abdur-Rahman
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Attending Krishna's Image : Chaitanya Vaishnava Murti-seva as Devotional Truth
Kenneth Russell (Oxford Centre for Hindu Studies, UK) Valpey
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Patterns : Design and Composition
M.A (University of Leeds, Leeds, United Kingdom) Hann
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Robert Ryman : Used Paint
Suzanne P. (Assistant Professor, The Center for the Study of M Hudson
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The Visual Legacy of Alexander the Great from the Renaissance to the Age of Revolution
Victor (University Jaume I, Spain) Minguez
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Design Theory, Language and Architectural Space in Lewis Carroll
Caroline (The New School, Parsons School for Design, USA) Dionne
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Alien Agency : Experimental Encounters with Art in the Making
Chris (Artist, Director of the Hexagram-Concordia Centre for R Salter
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Eulogy for Burying a Crane and the Art of Chinese Calligraphy
Lei Xue
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A Convert’s Tale : Art, Crime, and Jewish Apostasy in Renaissance Italy
Tamar Herzig
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Bild und Beruhrung : Skulptur und Malerei auf dem Altar der italienischen Fruhrenaissance
Iris Wenderholm
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Kopf /Bild : Die Buste in Mittelalter und Fruher Neuzeit
Jeanette Kohl
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Il bel cimitero. Santa Maria Novella in Florenz 1279-1348 : Grabmaler, Architektur und Gesellschaft
Frithjof Schwartz
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Urbs incensa : AEsthetische Transformationen der brennenden Stadt in der Fruhen Neuzeit
Vera Fionie Koppenleitner
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Ein Heiliger und sieben Grunder : Der Freskenzyklus zu den Ursprungen des Servitenordens im Chiostro dei Morti der Santissima Annunziata in Florenz (1604 1618)
Sabine Hoffmann
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Renaissance Love : Eros, Passion, and Friendship in Italian Art around 1500
Jeanette Kohl
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Katastrophenbilder : Der Vesuvausbruch 1631 in den Bildkunsten der Fruhen Neuzeit
Vera Fionie Koppenleitner
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2 : Kontinuitat und Wandel oeffentlicher Stadtraume vom 19. Jahrhundert bis in die Gegenwart
Elmar Kossel
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In testimonium veritatis : Der Bronzegisant als Totenabbild im italienischen Quattrocento
Laura Goldenbaum
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