Dance Medicine in Practice : Anatomy, Injury Prevention, Training
Liane (Fit for dance, Munich, Germany) Simmel
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Add to BasketDance Medicine in Practice : Anatomy, Injury Prevention, Training
Liane (Fit for dance, Munich, Germany) Simmel
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Dance Medicine in Practice : Anatomy, Injury Prevention, Training
Liane (Fit for dance, Munich, Germany) Simmel
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Fuenfundsiebzig Jahre in der Alten und Neuen Welt : Memoiren Eines Unbedeutenden
Heinrich Boernstein
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The Early Modern Stage-Jew : Heritage, Inspiration, and Concepts – With the first edition of Nathaniel Wiburne’s «Machiavellus»
Saskia Zinsser-Krys
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The Improv Handbook : The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond
Tom Salinsky
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The Improv Handbook : The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond
Tom Salinsky
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New Deal Theater : The Vernacular Tradition in American Political Theater
I. Saal
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Experimental Irish Theatre : After W.B. Yeats
I. Walsh
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Experimental Irish Theatre : After W.B. Yeats
I. Walsh
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Add to BasketNew Deal Theater : The Vernacular Tradition in American Political Theater
I. Saal
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New Deal Theater : The Vernacular Tradition in American Political Theater
I. Saal
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Blue Song : St. Louis in the Life and Work of Tennessee Williams
Henry I. Schvey
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DNA Technology : The Awesome Skill
I. Edward Alcamo
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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On the Uses of the Fantastic in Modern Theatre : Cocteau, Oedipus, and the Monster
I. Eynat-Confino
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On the Uses of the Fantastic in Modern Theatre : Cocteau, Oedipus, and the Monster
I. Eynat-Confino
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Costuming the Shakespearean Stage : Visual Codes of Representation in Early Modern Theatre and Culture
Robert I. Lublin
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Costuming the Shakespearean Stage : Visual Codes of Representation in Early Modern Theatre and Culture
Robert I. Lublin
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On the Uses of the Fantastic in Modern Theatre : Cocteau, Oedipus, and the Monster
I. Eynat-Confino
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Theatre of the Ridiculous : A Critical History
Kelly I. Aliano
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Add to BasketNone Intermediality and Spectatorship in the Theatre Work of Robert Lepage : The Solo Shows
Aristita I. Albacan
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