Interfacing with the Internet in Popular Cinema
A. Tucker
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Confronting Visuality in Multi-Ethnic Women’s Writing
A. Laflen
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American Comics, Literary Theory, and Religion : The Superhero Afterlife
A. Lewis
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Appropriation as Practice : Art and Identity in Argentina
A. Schneider
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Representation and Identity from Versailles to the Present : The Performing Subject
A Sikes
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Political Theatre in Post-Thatcher Britain : New Writing, 1995-2005
A. Kritzer
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Theatre and Event : Staging the European Century
A. Kear
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science
A. Cook
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Shakespeare and Genre : From Early Modern Inheritances to Postmodern Legacies
A. Guneratne
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Evolving Hamlet : Seventeenth-Century English Tragedy and the Ethics of Natural Selection
A. Fletcher
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Animals in the Classical World : Ethical Perspectives from Greek and Roman Texts
A. Harden
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Representing Scotland in Literature, Popular Culture and Iconography : The Masks of the Modern Nation
A. Riach
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Vaudeville Wars : How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers
A. Wertheim
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Memory in Play : From Aeschylus to Sam Shepard
A. Favorini
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Teaching Theatre Today: Pedagogical Views of Theatre in Higher Education
A. Fliotsos
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