Mise En Scene and Film Style : From Classical Hollywood to New Media Art
A. Martin
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Modular Narratives in Contemporary Cinema
A. Cameron
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The Post-Dictatorship Generation in Argentina, Chile, and Uruguay : Collective Memory and Cultural Production
A. Ros
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Interfacing with the Internet in Popular Cinema
A. Tucker
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Film Sound in Italy : Listening to the Screen
A. Sisto
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The Dangerous Lives of Public Performers : Dancing, Sex, and Entertainment in the Islamic World
A. Shay
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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The Objects of Affection : Semiotics and Consumer Culture
A. Berger
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Screening the Unwatchable : Spaces of Negation in Post-Millennial Art Cinema
A. Grønstad
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Audio CD for Harmonic Materials in Tonal Music, Part 1
Greg A. Steinke
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Dance Theatre in Ireland : Revolutionary Moves
A. McGrath
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The "Femme" Fatale in Brazilian Cinema : Challenging Hollywood Norms
Kenneth A. Loparo
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Women and Death in Film, Television, and News : Dead but Not Gone
Kenneth A. Loparo
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Ernst Kurth as Theorist and Analyst
Lee A. Rothfarb
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Understanding Post-Tonal Music
Miguel A. Roig-Francoli
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The Man Who Got Carter : Michael Klinger, Independent Production and the British Film Industry, 1960-1980
Dr Andrew Spicer
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The Man Who Got Carter : Michael Klinger, Independent Production and the British Film Industry, 1960-1980
Dr Andrew Spicer
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