Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Guitar Chords : Easy-to-Use, Easy-to-Carry, One Chord on Every Page
Jake Jackson
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George Hoyningen-Huene : Photography, Fashion, Film
The George Hoyningen-Huene Estate Archives
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Women's Work in Post-war Italy : An Oral and Filmic History
Flora Derounian
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Said on Opera
Edward (c/o The Wylie Agency) Said
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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World Socialist Cinema : Alliances, Affinities, and Solidarities in the Global Cold War
Masha Salazkina
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Looking Beyond Neoliberalism : French and Francophone Belgian Cinema and the Crisis
Martin O'Shaughnessy
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Norwegian Nightmares : The Horror Cinema of a Nordic Country
Christer Bakke Andresen
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Yiddish Cinema : The Drama of Troubled Communication
Jonah Corne
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The Human Figure on Film : Natural, Pictorial, Institutional, Fictional
Seth Barry Watter
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Is Harpo Free? : And Other Questions of the Metaphysical Screen
Matthew Cipa
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Is Harpo Free? : And Other Questions of the Metaphysical Screen
Matthew Cipa
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Through a Nuclear Lens : France, Japan, and Cinema from Hiroshima to Fukushima
Hannah Holtzman
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Listening to Others : Eduardo Coutinho's Documentary Cinema
Natalia Brizuela
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Listening to Others : Eduardo Coutinho's Documentary Cinema
Natalia Brizuela
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Contemporary Lusophone African Film : Transnational Communities and Alternative Modernities
Paulo de Medeiros
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