Maya Lin, Public Art, and the Confluence Project
Matthew (Whitman College, USA) Reynolds
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Robert Motherwell, Abstraction, and Philosophy
Robert (Virginia Commonwealth University) Hobbs
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Contemporary Art, Systems and the Aesthetics of Dispersion
Francis (National College of Art and Design, Ireland) Halsall
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Translation and Transgression in the Art of Shirin Neshat
Erin C. (Northern Virginia Community College, USA) Devine
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A Philosophy of Cultural Scenes in Art and Popular Culture
Max (Aalto University, Finland) Ryynanen
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Migrations, Arts and Postcoloniality in the Mediterranean
Celeste Ianniciello
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Contemporary Sculpture and the Critique of Display Cultures : Tainted Goods
Dan Adler
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Advancing a Different Modernism
S.A. (University of Maryland) Mansbach
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The Power and Fluidity of Girlhood in Henry Darger’s Art
Leisa Rundquist
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Performance, Art, and Politics in the African Diaspora : Necropolitics and the Black Body
Myron Beasley
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Post-Conflict Monuments in Bosnia and Herzegovina : Unfinished Histories
Uros (University of New South Wales) Cvoro
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Robert Motherwell, Abstraction, and Philosophy
Robert (Virginia Commonwealth University) Hobbs
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Post-Digital Letterpress Printing : Research, Education and Practice
Pedro Amado
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Bodily Engagements with Film, Images, and Technology : Somavision
Max Ryynanen
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Migrations, Arts and Postcoloniality in the Mediterranean
Celeste Ianniciello
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Advancing a Different Modernism
S.A. (University of Maryland) Mansbach
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Duchamp, Aesthetics and Capitalism
Julian Jason Haladyn
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Jimmie Durham, Europe, and the Art of Relations
Andrea Feeser
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Post-Conflict Monuments in Bosnia and Herzegovina : Unfinished Histories
Uros (University of New South Wales) Cvoro
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Contemporary Sculpture and the Critique of Display Cultures : Tainted Goods
Dan Adler
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The Power and Fluidity of Girlhood in Henry Darger’s Art
Leisa Rundquist
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