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Niklas (The Virtual Mind, Sweden) Hageback
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Comedy and the Public Sphere : The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena
Arpad Szakolczai
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Introduction to Stage Lighting : The Fundamentals of Theatre Lighting Design
Charles I Swift
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Immersion and Participation in Punchdrunk's Theatrical Worlds
Carina E. I. (Bournemouth University, UK) Westling
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Louis Sebastien Mercier : Revolution and Reform in Eighteenth-Century Paris
Mulryan Michael J. Mulryan
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
Download - Immediately Available
Format: eBook (PDF)
AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
Download - Immediately Available
Format: eBook (EPUB)
Comedy and the Public Sphere : The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena
Arpad Szakolczai
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Format: eBook (PDF)
Competing Germanies : Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965
Robert Kelz
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The Novel Stage : Narrative Form from the Restoration to Jane Austen
Frank Marcie Frank
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The Novel Stage : Narrative Form from the Restoration to Jane Austen
Frank Marcie Frank
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Lothario's Corpse : Libertine Drama and the Long-Running Restoration, 1700-1832
Gustafson Daniel Gustafson
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Lothario's Corpse : Libertine Drama and the Long-Running Restoration, 1700-1832
Gustafson Daniel Gustafson
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Thomas Holcroft's Revolutionary Drama : Reception and Afterlives
Garnai Amy Garnai
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Experimental Irish Theatre : After W.B. Yeats
I. Walsh
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New Deal Theater : The Vernacular Tradition in American Political Theater
I. Saal
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. Marsden
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. Marsden
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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From the Theater to the Plaza : Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid
Matthew I. Feinberg
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On the Uses of the Fantastic in Modern Theatre : Cocteau, Oedipus, and the Monster
I. Eynat-Confino
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