Teaching Practical Theatrical 3D Printing : Creating Props for Production
Robert C. Berls
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Teaching Practical Theatrical 3D Printing : Creating Props for Production
Robert C. Berls
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Teaching Practical Theatrical 3D Printing : Creating Props for Production
Robert C. Berls
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The Tony Awards : A Celebration of Excellence in Theatre
Eila Mell
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Theatre in Practice : A Student's Handbook
Nick (The Stanislavski Experience, UK) O'Brien
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Theatre in Practice : A Student's Handbook
Nick (The Stanislavski Experience, UK) O'Brien
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Theatre in Practice : A Student's Handbook
Nick (The Stanislavski Experience, UK) O'Brien
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Mask Making Techniques : Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
Mary C. (Professor of Costume Design, West Virginia Universit McClung
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Insights in Applied Theatre : The Early Days and Onwards
Peter (The University of Auckland, New Zealand) O'Connor
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Back Stage Guide to Stage Management, 3rd Edition
Thomas A. Kelly
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The Complete Make-Up Artist
Penny (Founder, The Delamar Academy, Ealing Film Studios, Lon Delamar
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Performance Studies : An Introduction
Richard (Tisch School of the Arts, NYU, USA) Schechner
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Foam Patterning and Construction Techniques : Turning 2D Designs into 3D Shapes
Mary (Professor of Costume Design, West Virginia University.) McClung
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Stanislavski in Practice : Exercises for Students
Nick (The Stanislavski Experience, UK) O'Brien
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Radical Virtuosity : Ana Mendieta and the Black Atlantic
Genevieve (Assisstant Professor, California College of the Hyacinthe
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Scenic Art for the Theatre : History, Tools and Techniques
Susan Crabtree
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Blindness and Spectatorship in Ancient and Modern Theatres : Towards New Ways of Looking and Looking Back
Marchella (The Open University, Milton Keynes) Ward
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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