Color Management & Quality Output : Working with Color from Camera to Display to Print
Tom (Associate Chair, Masters of Professional Studies at the Sch Ashe
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Fashion Remains : Rethinking Ephemera in the Archive
Professor Marco (Parsons Paris, France) Pecorari
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The Archaeology of Medieval Bookbinding
J.A. Szirmai
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Wrapping in Images : Tattooing in Polynesia
Alfred (late Reader in Anthropology, late Reader in Anthropology Gell
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Performing Proximity : Curious Intimacies
Leslie (USA) Hill
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Rackham'S Fairies, Elves and Goblins : More Than 80 Full-Color Illustrations
Jeff A. Menges
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Once Upon a Time... : A Treasury of Classic Fairy Tale Illustrations
Jeff A. Menges
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Worlds of Enchantment : The Art of Maxfield Parrish
Jeff A. Menges
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Donatello and the Dawn of Renaissance Art
A. Victor Coonin
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Human Anatomy : Depicting the Body from the Renaissance to Today
Benjamin A. Rifkin
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The Creative Mind : Myths and Mechanisms
Margaret A. Boden
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Fashion and Its Social Agendas : Class, Gender, and Identity in Clothing
Diana (University of Pennsylvania, USA and University of Paris, Crane
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Fashion, Identity, Image
Paul (Parsons New School, Paris, France) Jobling
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Modern Drama: A Very Short Introduction
Kirsten (University Lecturer in Modern Drama, Faculty o Shepherd-Barr
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How to Read Buddhist Art
Kurt A. Behrendt
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Fabric of Vision : Dress and Drapery in Painting
Anne (N/A) Hollander
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Packaging Design : Successful Product Branding from Concept to Shelf
Marianne R. Klimchuk
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Foundations of Drawing
A Gury
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Learning from Henri Nouwen and Vincent van Gogh – A Portrait of the Compassionate Life
Carol A. Berry
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Theatre and Environment
Vicky (Lecturer in Drama, University of Reading, Reading, UK Angelaki
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How to Read Medieval Art
Wendy A. Stein
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The Unknown Monet : Pastels and Drawings
James A. Ganz
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Theatre, Intimacy & Engagement : The Last Human Venue
A. Read
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Royal Conservatoire of Scotland : Raising the Curtain
Stuart A. Harris-Logan
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