Repetition and Performance in the Recording Studio
Rod (Monash University, Victoria) Davies
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Spanish Film Policies and Gender
Jara Fernandez (University of Southampton, UK) Meneses
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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A History of Western Music
J. Peter (Indiana University) Burkholder
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Beethoven's Conversation Books Volume 2 : Nos. 9 to 16 (March 1820 to September 1820)
Theodore (Person) Albrecht
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Uses of Heritage
Laurajane (The University of York, UK) Smith
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The Complete Make-Up Artist
Penny (Founder, The Delamar Academy, Ealing Film Studios, Lon Delamar
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Mastering Audio : The Art and the Science
Bob (Mastering Engineer of 3 Grammy-Winning albums; Founder, Dig Katz
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Microsound
Curtis (University of California at Santa Barbara) Roads
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A Guide to Musical Analysis
Nicholas (Professor of Music Cambridge University) Cook
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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A House on Fire : The Rise and Fall of Philadelphia Soul
John A. Jackson
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Movie History: A Survey : Second Edition
Douglas (University of Maryland, USA) Gomery
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The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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Film Directing Fundamentals : See Your Film Before Shooting
Nicholas T. (Professor of Film at the Film Division, School Proferes
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From Music to Mathematics : Exploring the Connections
Gareth E. (Associate Professor, College of the Holy Cross) Roberts
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Composing Electronic Music : A New Aesthetic
Curtis (Professor of Media Arts and Technology, Professor of Me Roads
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The Ear and the Voice
Alfred A. Tomatis
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Robert Schumann: Herald of a 'New Poetic Age'
The late John (Associate Professor of Music and Chairman of t Daverio
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Mixing with Impact : Learning to Make Musical Choices
Wessel (Utrecht University of the Arts, Interface Magazine, Oltheten
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Music Therapy : An art beyond words
Leslie (University of West England, UK) Bunt
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The Technique of Film and Video Editing : History, Theory, and Practice
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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The Baroque Violin & Viola : A Fifty-Lesson Course Volume I
Walter S. (Professor of Baroque Violin, Professor of Baroque V Reiter
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Performing Music Research : Methods in Music Education, Psychology, and Performance Science
Aaron (Professor of Performance Science, Professor of Perfo Williamon
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