Printing Music in Renaissance Rome
Jane A. Bernstein
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Printing Music in Renaissance Rome
Jane A. Bernstein
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Orchestra Management in Practice
Salvino A. Salvaggio
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Bryan R. (Professor Emeritus of Musicology, Professor Emeritus Simms
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After Debussy : Music, Language, and the Margins of Philosophy
Julian (Regius Professor of Music, Regius Professor of Music, Johnson
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The Analysis of Performance Art : A Guide to its Theory and Practice
Anthony Howell
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The Analysis of Performance Art : A Guide to its Theory and Practice
Anthony Howell
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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Singers of Italian Opera : The History of a Profession
John (University of Sussex) Rosselli
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Michael (Professor of Music, Emeritus, Professor of Music, E Marissen
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Translating Song : Lyrics and Texts
Peter (University of Canterbury, New Zealand) Low
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Add to BasketWar, Exile and the Music of Afghanistan : The Ethnographer’s Tale
John (Goldsmiths, University of London, UK) Baily
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Walter (Associate Professor of Music and Chair, Department of Everett
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Jillian C. (Assistant Professor of Musicology, Assistant Profe Rogers
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Film, Form, and Culture : Fourth Edition
Robert (University of Maryland, USA) Kolker
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Feeling Film: Affect and Authenticity in Popular Cinema
Greg (University of Stirling, Scotland) Singh
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From Music to Sound : The Emergence of Sound in 20th- and 21st-Century Music
Makis (University of Paris, France) Solomos
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Dancefilm : Choreography and the Moving Image
Erin (Lecturer, Lecturer, University of New South Wales) Brannigan
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Esq., Thomas A. (Lawyer, USA) Crowell
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Add to BasketMusic, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Practicing Music by Design : Historic Virtuosi on Peak Performance
Christopher (University of South Carolina, USA) Berg
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Scott (Professor, Chapman University, Dodge College of Film Arundale
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