Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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The Politics of Verdi's Cantica
Roberta Montemorra Marvin
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The Politics of Verdi's Cantica
Roberta Montemorra Marvin
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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer
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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer
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Salomon and the Burneys : Private Patronage and a Public Career
Ian Woodfield
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Salomon and the Burneys : Private Patronage and a Public Career
Ian Woodfield
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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock
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Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock
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Repetition in Music : Theoretical and Metatheoretical Perspectives
Adam Ockelford
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Repetition in Music : Theoretical and Metatheoretical Perspectives
Adam Ockelford
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Skryabin, Philosophy and the Music of Desire
Kenneth M. Smith
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Skryabin, Philosophy and the Music of Desire
Kenneth M. Smith
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Singing Dante: The Literary Origins of Cinquecento Monody
Elena Abramov-van Rijk
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Singing Dante: The Literary Origins of Cinquecento Monody
Elena Abramov-van Rijk
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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The Malmariee in the Thirteenth-Century Motet
Dolores Pesce
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