Captain America and the American Journey, 1940-2022
Richard A. Hall
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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The Performance of Law : Everyday Lawyering at the Intersection of Advocacy and Imagination
Randy (Texas A&M University, USA.) Gordon
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History on Film/Film on History
Robert A. Rosenstone
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History on Film/Film on History
Robert A. Rosenstone
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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The Pocket Lawyer for Filmmakers : A Legal Toolkit for Independent Producers
Esq., Thomas A. (Lawyer, USA) Crowell
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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Through the Lens, Brightly : Women in Cinema, Women at Work
Shoma A Chatterji
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The Dirty South : Exploring a Fantasized Region, 1970-2020
James A. Crank
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Leadership in Star Trek : Lessons from the Captain's Chair
Jason A. Kaufman
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The Gilmore Girls Companion (Hardback)
A S Berman
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Mise en Scene and Film Style : From Classical Hollywood to New Media Art
A. Martin
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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And the Mirror Cracked : Feminist Cinema and Film Theory
A. Smelik
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And the Mirror Cracked : Feminist Cinema and Film Theory
A. Smelik
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Possessed Child Narratives in Literature and Film : Contrary States
A. Schober
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