Writing About Movies
Karen (University of California, San Diego) Gocsik
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Ornamentalism
Anne Anlin (Professor of English and Director of American Studi Cheng
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A Very Nervous Person's Guide to Horror Movies
Mathias (Associate Professor of Literature and Media Studies, Clasen
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The Queer Cinema of Derek Jarman : Critical and Cultural Readings
Niall (University of Sussex, BRIGHTON) Richardson
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Women on the Verge of a Nervous Breakdown
Peter William (Queen Mary University of London, UK) Evans
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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The Many Meanings of Mina : Popular Music Stardom in Post-war Italy
Rachel (University of Hull) Haworth
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The Archive Effect : Found Footage and the Audiovisual Experience of History
Jaimie (University of Alberta, Canada) Baron
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Beyond Bagpuss : A History of Smallfilms Animation Studio
Chris (University of Greenwich, UK) Pallant
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Geopolitical Shakespeare : Western Entanglements from Internationalism to Cold War
Erica (Professor of Literature and Film, Professor of Literatur Sheen
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How Documentaries Work
Jacob (Associate Professor, Associate Professor, University of Bricca
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Archival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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Design for Doctor Who : Vision and Revision in Science Fiction Television
Piers D. (University of Redlands, Southern California, USA) Britton
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Throne of Blood
Robert N. (University of California, Los Angeles, USA) Watson
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The Cinema of Eisenstein
David (University of Wisconsin-Madison, USA) Bordwell
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2001: A Space Odyssey
Peter (University of East Anglia, UK) Kramer
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Introduction to the Alexander Technique : A Practical Guide for Actors
Bill (Yale School of Drama, USA) Connington
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When Harry Met Sally ...
Tamar Jeffers (University of Kent, UK) McDonald
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Secrets of the Animator
Julia (Main Point of Contact: Celis Revechids of Editions Pyra Peguet
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Pasta, Pizza and Propaganda : A Political History of Italian Food TV
Francesco (University of Venice) Buscemi
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Paul Robeson : The Artist as Revolutionary
Gerald (University of Houston) Horne
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Voice into Acting : Integrating Voice and the Stanislavski Approach
Christina (University of Essex, UK) Gutekunst
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Realist Film Theory and Bicycle Thieves
Hilary (University of Vermont, USA) Neroni
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