Said on Opera
Edward (c/o The Wylie Agency) Said
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James S. (Royal Holloway, University of London, UK) Williams
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The Who : The History of My Generation
Mat Snow
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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The Exorcist Effect : Horror, Religion, and Demonic Belief
Joseph P. (Associate Professor of Religious Studies, Associat Laycock
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Repetition and Performance in the Recording Studio
Rod (Monash University, Victoria) Davies
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Repetition and Performance in the Recording Studio
Rod (Monash University, Victoria) Davies
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Lost Federations : The Unofficial Unmade History of Star Trek
A. J. Black
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Add to BasketQueer Approaches in Musical Theatre
Ryan (The New School, USA) Donovan
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Background Music Cultures in Finnish Urban Life
Heikki (University of Eastern Finland) Uimonen
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Aesthetic Deviations : A Critical View of American Shot-on-Video Horror, 1984-1994
Vincent A. Albarano
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Add to BasketThe Wicker Man
Steve A. Wiggins
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Before We Teach Music : The Resonant Legacies of Childhoods and Children
Lori A. (Professor of Music and Music Education, Professor Custodero
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A Mystery from the Mummy-Pits : The Amazing Journey of Ankh-Hap
Frank L. (Professor of History, Professor of History, University Holt
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Before We Teach Music : The Resonant Legacies of Childhoods and Children
Lori A. Custodero
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Before We Teach Music : The Resonant Legacies of Childhoods and Children
Lori A. Custodero
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With Love, Mommie Dearest : The Making of an Unintentional Camp Classic
A. Ashley Hoff
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Wittgenstein on Music
Eran (The Max Stern Yezreel Valley College) Guter
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Realist Film Theory and Bicycle Thieves
Hilary (University of Vermont, USA) Neroni
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Add to BasketThe Dead C’s Clyma est mort
Darren (Senior Lecturer, University of Western Australia, A Jorgensen
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Richard (University of Hertfordshire, UK) Wiseman
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Add to BasketMusic : Antiquity and Its Legacy
Dr Eleonora (University of Pavia, Italy) Rocconi
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Add to BasketLicence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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