Sounding Authentic : The Rural Miniature and Musical Modernism
Joshua S. Walden
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Opera for the People : English-Language Opera and Women Managers in Late 19th-Century America
Katherine K. Preston
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Changing the Score : Arias, Prima Donnas, and the Authority of Performance
Hilary Poriss
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Brahms Among Friends : Listening, Performance, and the Rhetoric of Allusion
Paul Berry
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Representing Russia's Orient : From Ethnography to Art Song
Adalyat Issiyeva
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Representing Russia's Orient : From Ethnography to Art Song
Adalyat Issiyeva
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"Taken by the Devil" : The Censorship of Frank Wedekind and Alban Berg's Lulu
Margaret Notley
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Musical Genre and Romantic Ideology : Belonging in the Age of Originality
Matthew Gelbart
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Musical Genre and Romantic Ideology : Belonging in the Age of Originality
Matthew Gelbart
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The Book of Requiems, 1450-1550 : From the Earliest Ages to the Present Period
Burn David J. Burn
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From Pinewood to Hollywood : British Filmmakers in American Cinema, 1910-1969
I. Scott
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The Chamber Organ in Britain, 1600-1830
Michael I. Wilson
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Nicholas Lanier : Master of the King’s Musick
Michael I. Wilson
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Nicholas Lanier : Master of the King’s Musick
Michael I. Wilson
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Reminded by the Instruments : David Tudor's Music
You Nakai
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Reminded by the Instruments : David Tudor's Music
You Nakai
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From Book to Screen : Modern Japanese Literature in Films
Keiko I. McDonald
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From Book to Screen : Modern Japanese Literature in Films
Keiko I. McDonald
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Screenwriting Poetics and the Screen Idea
I. MacDonald
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The Complete Works of Agustin Barrios Mangore Vol. 2
AgustaŒ¤ Pio Barrios
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