Dark Dreams 2.0 : A Psychological History of the Modern Horror Film from the 1950s to the 21st Century
Charles Derry
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The Media of Secular Music in the Medieval and Early Modern Period (1100-1650)
Vincenzo Borghetti
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The Media of Secular Music in the Medieval and Early Modern Period (1100-1650)
Vincenzo Borghetti
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Kinetic Cultures : Modernism and Embodiment on the Belle Epoque Stage
Rachana Vajjhala
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Film Theory Reader: Debates & Arguments
Marc Furstenau
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The Performance Studies Reader
Henry (University of Kansas, USA) Bial
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Color, The Film Reader
Angela (Georgia Institute of Technology, Atlanta, USA) Dalle Vacche
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The Film Cultures Reader
Graeme Turner
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The Documentary Film Reader : History, Theory, Criticism
Jonathan Kahana
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Provenance and Early Cinema
Joanne Bernardi
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The End of Early Music : A Period Performer's History of Music for the Twenty-First Century
Bruce Haynes
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Gender, Sexuality, and Early Music
Todd C. Borgerding
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Architectures of Festival in Early Modern Europe : Fashioning and Re-fashioning Urban and Courtly Space
J.R. Mulryne
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Isolde Ahlgrimm, Vienna and the Early Music Revival
Peter Watchorn
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The Early Medieval Hand-Bells of Ireland and Britain
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From Playtext to Performance on the Early Modern Stage : How Did They Do It?
Leslie Thomson
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The Crisis of Music in Early Modern Europe, 1470-1530
Rob C. Wegman
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Celeb 2.0 : How Social Media Foster Our Fascination with Popular Culture
Kelli S. Burns
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Queer Screen : A Screen Reader
Jackie Stacey
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