Interpreting and Transmitting Kynicism in Joker : The Dark Side of Film Fandom
Kyle A. Hammonds
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Early Modern Print Media and the Art of Observation : Training the Literate Eye
Stephanie A. Leitch
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A War of Colors : Graffiti and Street Art in Postwar Beirut
Sinno Nadine A. Sinno
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Venice and the Doges : Six Hundred Years of Architecture, Monuments, and Sculpture
Toto Bergamo Rossi, Toto
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Early Modern Print Media and the Art of Observation : Training the Literate Eye
Stephanie A. (Florida State University) Leitch
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The Archaeology of Medieval Bookbinding
J.A. Szirmai
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Wrapping in Images : Tattooing in Polynesia
Alfred (late Reader in Anthropology, late Reader in Anthropology Gell
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Embracing New China : Uncensored Images of People, Growth, and Change
Aaron A Vessup
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Embracing New China : Uncensored Images of People, Growth, and Change
Aaron A Vessup
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Performing Folk Songs : Affect, Landscape and Repertoire
Dr. Elizabeth (Lecturer in Drama, University of Essex, UK) Bennett
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The Art of Mary Linwood : Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845
Strobel Heidi A. Strobel
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The Art of Mary Linwood : Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845
Strobel Heidi A. Strobel
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The Art of Mary Linwood : Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845
Dr. Heidi A. (University of Evansville, USA) Strobel
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Unbelonging : Inauthentic Sounds in Mexican and Latinx Aesthetics
Ivan A. Ramos
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Michelangelo's Art of Devotion in the Age of Reform
Emily A. Fenichel
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Michelangelo's Art of Devotion in the Age of Reform
Emily A. Fenichel
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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Michelangelo's Art of Devotion in the Age of Reform
Emily A. (Florida Atlantic University) Fenichel
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Paths to the Absolute : Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko and Still
John Golding
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In testimonium veritatis : Der Bronzegisant als Totenabbild im italienischen Quattrocento
Laura Goldenbaum
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Zwischen "exemplum" und "opus absolutum" : Studien zum Abzeichnen im italienischen Tre- und Quattrocento zwischen Mustertransfer und Kopie
Marion Heisterberg
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Raum und Sehen am papstlichen Hof von Avignon : Innovation in der Malerei Matteo Giovannettis
Tanja Hinterholz
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