Theology and the Avett Brothers
Alex Sosler
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The Bastard Instrument : A Cultural History of the Electric Bass
Brian F. Wright
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Shakespeare in the Theatre: The Stratford Festival
Dr Christie (Royal Holloway, University of London, UK) Carson
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Consuming Music in the Digital Age : Technologies, Roles and Everyday Life
Raphael Nowak
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Bob Dylan and the Spheres of Existence
Christopher B. Barnett
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Theology and Protest Music
Jonathan H. Harwell
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Tracks on the Trail : Popular Music, Race, and the US Presidency
Dana Gorzelany-Mostak
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Normporn : Queer Viewers and the TV That Soothes Us
Karen Tongson
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Rap Music and the Youth in Malawi : Reppin' the Flames
Ken Lipenga Jr.
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Platformed! How Streaming, Algorithms and Artificial Intelligence are Shaping Music Cultures
Tiziano Bonini
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Shakespeare on Screen: Romeo and Juliet
Victoria (University of Queensland) Bladen
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Shakespearean Biofiction on the Contemporary Stage and Screen
Dr Edel (University College Cork, Ireland) Semple
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Shakespearean Biofiction on the Contemporary Stage and Screen
Semple Edel Semple
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Shakespearean Biofiction on the Contemporary Stage and Screen
Semple Edel Semple
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The Merchant of Venice
Boika Sokolova
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Here for the Hearing : Analyzing the Music in Musical Theater
Michael Buchler
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Sonic Sovereignty : Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams
Liz Przybylski
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Theology and Star Trek
Shaun C. Brown
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The Spirit and the Screen : Pneumatological Reflections on Contemporary Cinema
Chris E. W. Green
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Liberating Shakespeare : Adaptation and Empowerment for Young Adult Audiences
Dr Jennifer Flaherty
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Shakespeare’s Histories on Screen : Adaptation, Race and Intersectionality
Jennie M. Votava
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Shakespeare s Histories on Screen : Adaptation, Race and Intersectionality
Votava Jennie M. Votava
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Shakespeare s Histories on Screen : Adaptation, Race and Intersectionality
Votava Jennie M. Votava
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