Machine Modernism, Masculinity, and the Trauma of War : The Art of Fernand Leger
Maureen G. (James Madison University) Shanahan
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Qayrawan : The Amuletic City
William (University of Exeter) Gallois
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Leonce Rosenberg’s Cubism : The Galerie L’Effort Moderne in Interwar Paris
Giovanni (Scuola Normale Superiore) Casini
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Postcards : Ephemeral Histories of Modernity
David (UIUC) Prochaska
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London Art Worlds : Mobile, Contingent, and Ephemeral Networks, 1960-1980
Jo (Lecturer, Courtauld Institute) Applin
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Color in the Age of Impressionism : Commerce, Technology, and Art
Laura Anne Kalba
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Art and Form : From Roger Fry to Global Modernism
Sam (Lecturer in Art History, University of St. Andrews) Rose
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Drawing Degree Zero : The Line from Minimal to Conceptual Art
Anna (Assistant Professor, Southern Methodist University) Lovatt
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The World in Paint : Modern Art and Visuality in England, 1848-1914
David Peters (The University of East Anglia) Corbett
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The Dark Side of Nature : Science, Society, and the Fantastic in the Work of Odilon Redon
Barbara Larson
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Documenting Spain : Artists, Exhibition Culture, and the Modern Nation, 1929-1939
Jordana (New York University ) Mendelson
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The Social and the Real : Political Art of the 1930s in the Western Hemisphere
Alejandro (William Paterson University) Anreus
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Space-Age Aesthetics : Lucio Fontana, Yves Klein, and the Postwar European Avant-Garde
Stephen (University of Delaware) Petersen
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Viennese Jewish Modernism : Freud, Hofmannsthal, Beer-Hofmann, and Schnitzler
Abigail Gillman
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Beyond National Identity : Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920-1960
Michele (George Mason University) Greet
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Mediating Modernity : German Literature and the “New” Media, 1895–1930
Stefanie (Texas A and M University) Harris
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From Diversion to Subversion : Games, Play, and Twentieth-Century Art
David J. (School of the Art Institute of Chicago) Getsy
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Modernism and Its Merchandise : The Spanish Avant-Garde and Material Culture, 1920-1930
Juli (University of Michigan) Highfill
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Ireland and the Problem of Information : Irish Writing, Radio, Late Modernist Communication
Damien (SUNY Buffalo) Keane
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The Curatorial Avant-Garde : Surrealism and Exhibition Practice in France, 1925-1941
Adam Jolles
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Nature’s Experiments and the Search for Symbolist Form
Allison (Associate Professor, Queen’s University) Morehead
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Soviet Salvage : Imperial Debris, Revolutionary Reuse, and Russian Constructivism
Catherine Walworth
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Literary Obscenities : U.S. Case Law and Naturalism after Modernism
Erik M. (Lecturer) Bachman
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Surveying the Avant-Garde : Questions on Modernism, Art, and the Americas in Transatlantic Magazines
Lori (Visiting Assistant Professor, New York University) Cole
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