Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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The Shakespearean International Yearbook : Disability Performance and Global Shakespeare
Alexa Alice Joubin
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The Shakespearean International Yearbook : Disability Performance and Global Shakespeare
Alexa Alice Joubin
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The Poetics of Performance Diagrams
Andrej (Universitat der Kunste Berlin) Mircev
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Tropes and the Literary-Scientific Revolution : Forms of Proof
Michael Slater
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Tropes and the Literary-Scientific Revolution : Forms of Proof
Michael Slater
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672) : A Critical Edition
Gomez-Lara Manuel J. Gomez-Lara
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Reading Shakespeare in Jewish Theological Frameworks : Shylock Beyond the Holocaust
Caroline Wiesenthal Lion
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Harold Pinter's Shakespeare : Shakespeare's Influence on the Work of Harold Pinter
Charles Morton
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The RSC Shakespeare: The Complete Works
William Shakespeare
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The Norton Shakespeare
Stephen (Harvard University) Greenblatt
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The Shakespearean International Yearbook : 20: Special Section, Pericles, Prince of Tyre
Tom Bishop
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The Shakespearean International Yearbook : 20: Special Section, Pericles, Prince of Tyre
Tom Bishop
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The Developer : Phase III (Avenue into the Abyss)
Stephen P Bye
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The Imperial Theme : Further Interpretations of Shakespeare's Tragedies Including the Roman Plays
G. Wilson Knight
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The Shakespeare Multiverse : Fandom as Literary Praxis
Valerie M. Fazel
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The New Oxford Shakespeare: Modern Critical Edition : The Complete Works
William Shakespeare
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The Merchant of Venice : Critical Essays
John W. Mahon
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Women on the Edge : Four Plays by Euripides
Ruby Blondell
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Shakespeare in the World : Cross-Cultural Adaptation in Europe and Colonial India, 1850-1900
Suddhaseel Sen
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