Greek and Roman Painting and the Digital Humanities
Marie-Claire Beaulieu
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Modern Art in Cold War Beirut : Drawing Alliances
Sarah (Middlebury College) Rogers
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Bauhaus Effects in Art, Architecture, and Design
Kathleen James-Chakraborty
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Add to BasketArt Collecting and Middle Class Culture from London to Brighton, 1840–1914
David Adelman
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Art and Modernism in Socialist China : Unexplored International Encounters 1949–1979
Shuyu (Simon Fraser University, Canada) Kong
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American Pop Art in France : Politics of the Transatlantic Image
Liam Considine
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The Benin Plaques : A 16th Century Imperial Monument
Kathryn Wysocki Gunsch
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The Primitivist Imaginary in Iberian and Transatlantic Modernisms
Joana (NOVA University of Lisbon, Portugal) Cunha Leal
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Art, Mobility, and Exchange in Early Modern Tuscany and Eurasia
Francesco Freddolini
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Picturing Courtiers and Nobles from Castiglione to Van Dyck : Self Representation by Early Modern Elites
John Peacock
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Add to BasketThe Visual Culture of Meiji Japan : Negotiating the Transition to Modernity
Ayelet Zohar
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Histories of Conservation and Art History in Modern Europe
Sven Dupre
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The Imperial Patronage of Labor Genre Paintings in Eighteenth-Century China
Roslyn Lee (University of Hong Kong) Hammers
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Deconstructing the Myths of Islamic Art
Onur Ozturk
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Add to BasketThe Pictures Generation at Hallwalls : Traces of the Body, Gender, and History
Vera Dika
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The Pictures Generation at Hallwalls : Traces of the Body, Gender, and History
Vera Dika
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The Materiality of Terracotta Sculpture in Early Modern Europe
Zuzanna Sarnecka
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The Materiality of Terracotta Sculpture in Early Modern Europe
Zuzanna Sarnecka
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Robert Smithson, Land Art, and Speculative Realities
Rory O'Dea
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Robert Smithson, Land Art, and Speculative Realities
Rory O'Dea
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Loss in French Romantic Art, Literature, and Politics
Jonathan P. Ribner
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Add to BasketEast-West Artistic Transfer through Rome, Armenia and the Silk Road : Sharing St. Peter's
Christiane Esche-Ramshorn
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Interpreting Modernism in Korean Art : Fluidity and Fragmentation
Kyunghee Pyun
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The Performance of Sculpture in Renaissance Venice
Lorenzo G. (University of Massachusetts, Boston) Buonanno
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