The Posthumous Papers of the Manuscripts Club
Christopher de Hamel
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Second Self : The tender new novel from the author of WET PAINT
Chloe Ashby
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The Mack : Charles Rennie Mackintosh and the Glasgow School of Art
Robyne Calvert
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The Firebird : the sweeping story of love, sacrifice, courage and redemption
Susanna Kearsley
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Second Self : The tender new novel from the author of WET PAINT
Chloe Ashby
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The Curator's Handbook : Museums, Commercial Galleries, Independent Spaces
Adrian George
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Culture Strike : Art and Museums in an Age of Protest
Laura Raicovich
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A Programme of Absolute Disorder : Decolonizing the Museum
Francoise Verges
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Rene Magritte : The Artist's Materials
Catherine Defeyt
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Roy Lichtenstein : Outdoor Painted Sculpture
Julie Wolfe
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Ceramic Art
Margaret S. Graves
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Janet (Consultant, specialising in the conservation and display Wood
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Cultural Heritage Conservation for Early Learners : Outreach and Engagement with the Next Generation
Ellen Chase
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Cultural Heritage Conservation for Early Learners : Outreach and Engagement with the Next Generation
Ellen Chase
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Architectures of Colonialism : Constructed Histories, Conflicting Memories
Vera Egbers
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Janet Wood
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Wax On Wax Off : How To Care For Bronze Sculpture
Lucy Branch
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Das Historische Grune Gewolbe zu Dresden : Die barocke Schatzkammer
Dirk Syndram
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The Book in the Cathedral : The Last Relic of Thomas Becket
Christopher de Hamel
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The Posthumous Papers of the Manuscripts Club
Christopher de Hamel
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The Curator's Handbook : Museums, Commercial Galleries, Independent Spaces
Adrian George
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The Brutish Museums : The Benin Bronzes, Colonial Violence and Cultural Restitution
Dan Hicks
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The Brutish Museums : The Benin Bronzes, Colonial Violence and Cultural Restitution
Dan Hicks
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