Ways of Seeing
John Berger
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Pretentiousness : Why it Matters
Dan Fox
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The Embedded Portrait : Giotto, Giottino, Angelico
Christopher S. Wood
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The Elements of Drawing : (In Three Letters to Beginners)
John Ruskin
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Playing to the Gallery : Helping Contemporary Art in its Struggle to Be Understood
Grayson Perry
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Golden Section : Nature's Greatest Secret
Scott Olsen
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The Work of Art in the Age of Mechanical Reproduction
Walter Benjamin
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Art & Fear : Observations on the Perils (and Rewards) of Artmaking
David Bayles
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George A. Kubler and the Shape of Art History
Thomas F. Reese
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Monsters : What Do We Do with Great Art by Bad People?
Claire Dederer
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Origins, Imitation, Conventions : Representation in the Visual Arts
James S. Ackerman
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Metropolitan Museum Journal, 2023 : Volume 58 Volume 58
Metropolitan Museum of Art
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A New Concise Reference Dictionary & Glossary of Usage Terms & Subjects in Contemporary Art
Neal Brown
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Nature and Imagination in Ancient and Early Modern Roman Art
Gabriel Pihas
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Exhibiting Italian Art in the United States from Futurism to Arte Povera : 'Like a Giant Screen'
Raffaele Bedarida
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Naturalized Aesthetics : A Scientific Framework for the Philosophy of Art
Richard A. Richards
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The Routledge International Handbook of Neuroaesthetics
Martin Skov
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American Pop Art in France : Politics of the Transatlantic Image
Liam Considine
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Millard Meiss, American Art History, and Conservation : From Connoisseurship to Iconology and Kulturgeschichte
Jennifer (University of Turin) Cooke
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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art
Jessica Sjoholm Skrubbe
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Counterfactualism in the Fine Arts
Elke (Nanyang Technological University, Singapore) Reinhuber
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Painting, Science, and the Perception of Coloured Shadows : ‘The Most Beautiful Blue’
Paul Smith
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