Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century : The Imprint of Women, c. 1700-1830
Cristina S. Martinez
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Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century : The Imprint of Women, c. 1700-1830
Cristina S. Martinez
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The Part and the Whole in Early American Literature, Print Culture, and Art
Pethers Matthew Pethers
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Describing Women's Clothing in Eighteenth-Century England
Elizabeth Spencer
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Describing Women's Clothing in Eighteenth-Century England
Elizabeth Spencer
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Claude III Audran, Arbiter of the French Arabesque
Laux Barbara Laux
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Concepts of Creativity in Seventeenth-Century England
Rebecca Herissone
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Sublime in Modern Philosophy : Aesthetics, Ethics, and Nature
Emily Brady
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Reflections on Baroque
Harbison Robert Harbison
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The Return of the Baroque in Modern Culture
Lambert Gregg Lambert
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Reconstructing the Body : Classicism, Modernism, and the First World War
Ana Carden-Coyne
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Piranesi's Candelabra and the Presence of the Past : Excessive Objects and the Emergence of a Style in the Age of Neoclassicism
Caroline van Eck
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The Throne of the Great Mogul in Dresden : The Ultimate Artwork of the Baroque
Wahrman Dror Wahrman
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Theory of the Sublime from Longinus to Kant
Robert Doran
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A Short History of the Ottoman Empire
Renee Worringer
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A Short History of the Ottoman Empire
Renee Worringer
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Visualizing Portuguese Power : The Political Use of Images in Portugal and its Overseas Empire (16th-18th Century)
Krass Urte Krass
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Philip IV and the World of Spain's Rey Planeta
Stephen M Hart
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The Signature Style of Frans Hals : Painting, Subjectivity, and the Market in Early Modernity
Christopher D.M. Atkins
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Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
Carolyn Dowdell
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Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795
Carolyn Dowdell
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Imagining War and Peace in Eighteenth-Century Britain, 1690-1820
Andrew Lincoln
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Imagining War and Peace in Eighteenth-Century Britain, 1690-1820
Andrew Lincoln
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